Live at the Jazz Standard
by Andrew Velez
Pianist Roger Kellaway can swing hard and has played with everyone from Sonny Rollins to Joni Mitchell. His knowledge of music is encyclopedic and his pianism is instantly recognizable for its airy, sparkling quality, flowing from a singular skill he has to incorporate stride, swing, boogie and more into something totally modern. Long an in-demand sideman, Kellaway has too rarely recorded fronting his own group. Which brings us to the happy occasion of this live 2006 Jazz Standard set with his "East Coast group" (he also maintains a "West Coast group").
The opener here is Duke Ellington's "Cottontail," on which Kellaway exhibits finger-twisting runs in company with Stefon Harris guesting on vibes. It's a breathtaking turn that leads into yet more Ellington joy with "C Jam Blues" on which Russell Malone's guitar propels even more non-stop swinging.
If further evidence was needed of Kellaway's diversity, the Russian classical cellist Borislav Strulev joins the festivities for the leader's "All My Life." The chamber-style duet is as deep and passionate as it is resonant. Kellaway's approach to Dave Brubeck's hit, Paul Desmond's "Take Five" begins lightly and gently skipping; he seamlessly shifts from soft to emphatic chords and, with Jay Leonhart's bass and Malone's guitar, builds to a bedazzling crescendo of fresh possibilities. This is followed by a sweet meditation on "The Nearness of You" joined by Malone and Harris.
Pushing musical explorations even further, the second disc opens with "Tumbling Tumbleweeds." "Tumbling Tumbleweeds"? Who knew? It's just further proof of Kellaway's ability to unearth fresh rhythms and find unlikely places in which to swing. Turning to the more familiar jazz terrain of Redman-Gilbert's "Cherry," Kellaway recalls the hard swinging sound of the early Nat "King" Cole Trio. On the closer, Monk's "52nd Street Theme," all hands cut loose to go way past the speed limit. When they called this a "live set" they weren't kidding.
Renato Sellani
A Sergio Endrigo (Nelle mie notti) - philology W 360.2
Tracks:
1.
Nelle Mie Notti 2.
Ci Vuole Un Fiore 3.
Adesso Si 4.
Canzone Per Te 5. Teresa
6.
Nelle Mie Notti (Take 2) 7.
Via Broletto 8.
Lontano Dagli Occhi 9.
Io Che Amo Solo Te 10.
Vecchia Balera 11.
Samba Para Endrigo 12.
Io Che Amo Solo Te (Take 2)
Kenny Barron
The Traveler - SSC 3079
by Ken Dryden
These 2007 sessions by Kenny Barron are a bit unusual, as he works with several different groups, playing mostly originals. His trio with bassist Kiyoshi Kitagawa and drummer Francisco Mela are present on eight of the CD's ten tracks, including one trio feature, the light-hearted "The First Year," penned by Alex Nguyen. The masterful soprano saxophonist Steve Wilson is added on three numbers, including the intricate post-bop vehicle "The Traveler," the driving "Speed Trap," and the lovely impressionistic ballad "Illusion." African guitarist Lionel Loueke is Barron's sole partner for the avant-gardish "Duet," while also adding flavor to Barron's engaging "Calypso." There are several vocal features. "Phantoms" begins with a distinctively African flavor, with Loueke adding an uncredited vocal and simulating an African thumb piano on his guitar; then Thelonious Monk Jazz Vocal Competition winner Gretchen Parlato takes over, adding her haunting vocals. Veteran drummer Grady Tate has occasionally sung during his career and he adds warmth to Barron's ballad "Um Beijo." Ann Hampton Callaway is more of a cabaret singer, though she proves effective in Barron's dreamy ballad "Clouds." The pianist has Eubie Blake's "Memories of You" all to himself, sounding as if he is playing for his own enjoyment at home in a humorous arrangement that would have likely pleased its composer.
Harvey S with Kenny Barron
Now Was The Time - SCD 2092
by Ken Dryden
Harvie S and Kenny Barron were two of many jazz musicians who worked together in duo settings when Manhattan jazz clubs were unable to get cabaret licenses (which allowed them to book larger groups) back in the 1980s. This winter 1986 studio session, which was halted prematurely due to the pending arrival of a blizzard, lay forgotten for over two decades among many tapes in the bassist's collection until he ran across it and had it issued by Savant in the summer of 2008. The session took place without rehearsal, while the musicians are improvising from the start of each tune, rather than state the melody first. Harvie plays the lead in the whispering take of "Body and Soul," with Barron's soft, lush playing providing the perfect backdrop, while the bassist is also up front in the lighthearted take of "Isn't It Romantic?" Barron shines in the shimmering interpretation of Wayne Shorter's "Miyako." The bassist's "Take Your Time" is a hip, bluesy post-bop vehicle in a breezy setting. The final selection is an mesmerizing unaccompanied bass solo of "Chelsea Bridge," in which Harvie manages to explore at length without running out of ideas. Perhaps he should look closer at his tape collection to see what additional hidden gems need to be issued in the future.
Irio de Paula convida Gianni Basso
O Amor em Paz - Philology W341.2
Track Listings:
1. Meditaçao
2. Desfinado
3. O Grande Amor
4. O Amor Em Paz
5. Insensatez
6. Samba de uma Nota
7. Triste
8. Chega de Saudade
9. Garota de Ipanema
10. Corcovado
11. So Danço Samba
The Traveler - SSC 3079
by Ken Dryden
These 2007 sessions by Kenny Barron are a bit unusual, as he works with several different groups, playing mostly originals. His trio with bassist Kiyoshi Kitagawa and drummer Francisco Mela are present on eight of the CD's ten tracks, including one trio feature, the light-hearted "The First Year," penned by Alex Nguyen. The masterful soprano saxophonist Steve Wilson is added on three numbers, including the intricate post-bop vehicle "The Traveler," the driving "Speed Trap," and the lovely impressionistic ballad "Illusion." African guitarist Lionel Loueke is Barron's sole partner for the avant-gardish "Duet," while also adding flavor to Barron's engaging "Calypso." There are several vocal features. "Phantoms" begins with a distinctively African flavor, with Loueke adding an uncredited vocal and simulating an African thumb piano on his guitar; then Thelonious Monk Jazz Vocal Competition winner Gretchen Parlato takes over, adding her haunting vocals. Veteran drummer Grady Tate has occasionally sung during his career and he adds warmth to Barron's ballad "Um Beijo." Ann Hampton Callaway is more of a cabaret singer, though she proves effective in Barron's dreamy ballad "Clouds." The pianist has Eubie Blake's "Memories of You" all to himself, sounding as if he is playing for his own enjoyment at home in a humorous arrangement that would have likely pleased its composer.
Harvey S with Kenny Barron
Now Was The Time - SCD 2092
by Ken Dryden
Harvie S and Kenny Barron were two of many jazz musicians who worked together in duo settings when Manhattan jazz clubs were unable to get cabaret licenses (which allowed them to book larger groups) back in the 1980s. This winter 1986 studio session, which was halted prematurely due to the pending arrival of a blizzard, lay forgotten for over two decades among many tapes in the bassist's collection until he ran across it and had it issued by Savant in the summer of 2008. The session took place without rehearsal, while the musicians are improvising from the start of each tune, rather than state the melody first. Harvie plays the lead in the whispering take of "Body and Soul," with Barron's soft, lush playing providing the perfect backdrop, while the bassist is also up front in the lighthearted take of "Isn't It Romantic?" Barron shines in the shimmering interpretation of Wayne Shorter's "Miyako." The bassist's "Take Your Time" is a hip, bluesy post-bop vehicle in a breezy setting. The final selection is an mesmerizing unaccompanied bass solo of "Chelsea Bridge," in which Harvie manages to explore at length without running out of ideas. Perhaps he should look closer at his tape collection to see what additional hidden gems need to be issued in the future.
Irio de Paula convida Gianni Basso
O Amor em Paz - Philology W341.2
Track Listings:
1. Meditaçao
2. Desfinado
3. O Grande Amor
4. O Amor Em Paz
5. Insensatez
6. Samba de uma Nota
7. Triste
8. Chega de Saudade
9. Garota de Ipanema
10. Corcovado
11. So Danço Samba
Bill Cunliffe
The Blues and The Abstract Truth Take 2 - HCD2003
by Ken Dryden
Bill Cunliffe was invited to do an updated arrangement of Oliver Nelson's landmark album Blues and the Abstract Truth, a tough challenge, given Nelson's superb charts and the numerous all-stars he had on the 1961 session (pianist Bill Evans, alto saxophonist/flautist Eric Dolphy, and trumpeter Freddie Hubbard in the front line). But the pianist tweaked each of the pieces just a bit, altered some of the instrumentation (a trombone replaces baritone sax, while soprano sax is added on some tracks), while also making subtle rhythmic changes at times. "Stolen Moments" has long since become a jazz standard and it is tough to measure up to Nelson's second version (he scored an earlier one for a big band led by Eddie "Lockjaw" Davis), since Dolphy (on flute), Evans and Nelson laid down such superb solos. But Andy Martin's vocal-like trombone is a highlight, even if Cunliffe doesn't try to compete with Evans' work. Trumpeter Terell Stafford and Andy Martin burn in the playful "Hoe Down," while tenor saxophonist Bob Sheppard wails in "Yearnin'." The closing two songs are originals by Cunliffe that are in the spirit of Nelson (who died at age 43 of a heart attack in 1975). Tribute albums are always difficult, as they aren't intended to replace the recordings they honor, but Bill Cunliffe has easily achieved his goal on this rewarding CD.
